Stories of material and craft
Workshop notes, craft and inspiration around solid wood and interiors.
A scratch on wooden furniture: fix it without sanding it all
It always ends up happening: keys dropped too fast, a toy dragged across, the moving box. On oiled solid wood furniture, though, a scratch is never a death sentence — it's a touch-up waiting its turn. But start by understanding it, because the right gesture depends on its depth.
Cleaning wooden furniture: the products to avoid at all costs
The cleaning aisle of a supermarket would have you believe wooden furniture demands an arsenal. It's the opposite: solid wood needs almost nothing, and half of what's sold for it does harm. Here's the blacklist — and the minimalist routine that truly suffices.
Dull or greyed wood: bringing an oiled piece back to life
A top that's lost its glow, a tone gone flat, almost grey: the piece looks worn out, but it's simply thirsty. The dulling of oiled wood isn't wear — it's a lack, and it can be filled. Count on an hour, a cloth and a bottle of oil.
Oil, wax or varnish: which finish for solid wood?
The finish is what separates raw wood from a finished object — and it decides how your furniture will live, age and be repaired. Oil, wax, varnish: three philosophies more than three products. Here's an honest way to tell them apart.
How to care for teak or suar furniture
Solid wood furniture requires almost no maintenance — that’s actually one of the reasons for choosing it. But the few simple steps it does require make all the difference between a room that loses its lustre and one that becomes more beautiful with age. Here is the routine we recommend for teak and suar, the two types of wood used in our workshops.
Veneer or solid: how to spot real wood furniture
“Solid wood” has become such a widespread selling point that it sometimes appears on furniture containing almost none. Veneered fibreboard, “oak effect”, printed grain photos: there's a whole vocabulary for saying wood without using much of it. Here's how to tell the difference, in a shop or online.
Suar and teak: two woods, two temperaments
Our pieces are born of two Indonesian species that differ in everything but longevity: suar and teak. Understanding their character already tells you which piece belongs in your home.
From the Suar log to the sculptural object
Every Maison Miraku piece begins long before it reaches the workshop: in the Indonesian forest, where the Suar tree grows – a dense wood renowned for its spectacular growth rings and warm colour.